Miles Davis: Hannibal 4b3d1j

HANNIBAl Marcus Miller

Med. Funk Shuffle (Half Time Feel)

      

  

q = 152 synth.

   

   

 F‹7             

 (synth.)



D¨/F

F‹6

synth. (steel pan patch)

       

     synth.

(  

 

F‹

D¨/F  3

[A]       

   



F‹

D¨/F

   



B7

E7

     

3

   

F‹6

 

  

A¨/B¨

  

B¨7/D

    3

1.





sample trp. fill

   

F7b9/A



 

D¨/F

    

 

G¨/A¨

) etc.

    

  



 

 

D¨/F



  

        D¨6

 

   

trumpet

           

     

  

   

bass cont. sim.

  

3          

F‹6

   

   



D¨/F



 



   

[d_r_o_p_ _Db_ _ _t_u_n_e_d_ _b_a_s_s_]

F‹



 

Transcribed by Ville V. (2011)

        C7b9/E





3

3





2

[B]      F‹

synth. (steel pan patch)

        

F‹



D¨/F

F‹6

             

        D¨/F

F‹6



G¨^







    



C7½

 

D¨/F [B2] F‹ synth. (steel pan patch)               

F‹





GØ

D¨/F

          3

      

B¨‹7



    

     

F7#9

    

    



[C] 

    

 

F‹6



  

3

D¨/F

   

2.



              



3

F7b9/A

3

D¨/F

    



            

         



 

B¨‹7/A¨    3

 {F`i`n`e` `-` `o`p`t`.`}           





gliss.

D¨/F

           3

F‹6



D¨/F

alto sax.           

 [D] alto sax.     



synth.   



  

   B¨‹7





3

  

 



B¨‹6 E¨‹7                                   G¨^#11/B¨

     



             D¨

    













A¨‹7

B¨‹7

F7½

G¨^





 

F‹







D¨/F

D¨/F

   





  





G7½

[B3] F‹    

 

  







3   

                   

 

         

  





   



  



  

  

C7b9



(ad lib.)



   

F‹6

   

F‹6



 D¨/F

   

D¨/F

   



   





       

4

[E] SOLO F‹ synth.            

D¨/F

F‹6



 

[F] μ horns          

D¨/F

    

        

    





    



D¨/F

  

  

  

3

 

     

 

 

     F‹





3           

     

                     



vamp till cue



C7½  

   



F‹6





F5   

D.S. al Coda



alto sax.

 





D¨/F

   

   

vamp & fade

opt.: on cue, return to letter A, take 2nd ending 1st time, al Fine.

Bass adds a lot, particularly on the Fm sections (letter B). The form on the studio recording varies from the live recordings. On the live arrangement the letter A is recapitulated once after the Coda (2nd ending taken 1st time), then letter C is played to the Fine.

  